{"id":2153,"date":"2026-04-07T09:40:20","date_gmt":"2026-04-07T06:40:20","guid":{"rendered":"https:\/\/www.ozgurgulun.com\/?p=2153"},"modified":"2026-04-07T09:57:47","modified_gmt":"2026-04-07T06:57:47","slug":"irgandi-koprusu","status":"publish","type":"post","link":"https:\/\/www.ozgurgulun.com\/en\/irgandi-koprusu\/","title":{"rendered":"Irgand\u0131 K\u00f6pr\u00fcs\u00fc"},"content":{"rendered":"
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Ho\u015f geldiniz k\u0131ymetli misafirler! Bug\u00fcn Bursa’n\u0131n o me\u015fhur, hani \u00fczerinden ge\u00e7erken kendinizi bir masal\u0131n i\u00e7indeymi\u015f gibi hissetti\u011finiz, o “inci gerdanl\u0131\u011f\u0131” Irgand\u0131 K\u00f6pr\u00fcs\u00fc’n\u00fcn hikayesini anlataca\u011f\u0131m sizlere. Haz\u0131rsan\u0131z, G\u00f6kdere’nin \u015f\u0131r\u0131lt\u0131s\u0131 e\u015fli\u011finde tarihin derinliklerine, 15. y\u00fczy\u0131la bir yolculu\u011fa \u00e7\u0131kal\u0131m.<\/p>\n

Irgand\u0131 K\u00f6pr\u00fcs\u00fc, co\u011frafi olarak Bursa\u2019n\u0131n tam kalbinde, \u015fehri ikiye b\u00f6len o me\u015fhur G\u00f6kdere vadisinin \u00fczerinde ma\u011frur bir \u015fekilde y\u00fckselir. Bu k\u00f6pr\u00fc sadece bir ge\u00e7it de\u011fil, adeta bir kucakla\u015fmad\u0131r; \u00e7\u00fcnk\u00fc Bursa\u2019n\u0131n iki ana merkezi olan Osmangazi ve Y\u0131ld\u0131r\u0131m il\u00e7elerini birbirine ba\u011flar.<\/p>\n

K\u00f6pr\u00fcn\u00fcn bir aya\u011f\u0131 Osmangazi il\u00e7esindeki o tarihi dokusuyla bildi\u011fimiz Kay\u0131han (Kayhan) Mahallesi\u2019ne basarken, di\u011fer aya\u011f\u0131 Y\u0131ld\u0131r\u0131m il\u00e7esinin huzurlu semti Kurto\u011flu Mahallesi\u2019ne uzan\u0131r. Yani \u00fczerinden ge\u00e7erken asl\u0131nda bir mahalleden di\u011ferine de\u011fil, bir il\u00e7eden \u00f6b\u00fcr\u00fcne, tarihin i\u00e7inden bir yolculuk yapars\u0131n\u0131z.<\/p>\n

Konumunu daha iyi netle\u015ftirmek gerekirse, bizim Irgand\u0131; me\u015fhur Setba\u015f\u0131 K\u00f6pr\u00fcs\u00fc\u2019n\u00fcn hemen kuzeyinde, Boyac\u0131kullu\u011fu K\u00f6pr\u00fcs\u00fc\u2019n\u00fcn ise g\u00fcneyinde yer alarak G\u00f6kdere \u00fczerindeki o tarihi k\u00f6pr\u00fcler zincirinin en de\u011ferli halkas\u0131n\u0131 olu\u015fturur. \u015eehrin en canl\u0131 noktalar\u0131ndan olan Atat\u00fcrk Caddesi \u00fczerinden de bu masals\u0131 yap\u0131ya kolayca ula\u015f\u0131p, o sar\u0131 d\u00fckk\u00e2nlar\u0131n aras\u0131ndan G\u00f6kdere\u2019nin \u015f\u0131r\u0131lt\u0131s\u0131n\u0131 dinleyebilirsiniz.<\/p>\n

Bu k\u00f6pr\u00fc \u00f6yle s\u0131radan bir ge\u00e7it de\u011fil; Osmanl\u0131’n\u0131n tek, d\u00fcnyan\u0131n ise say\u0131l\u0131 “arasta” yani \u00e7ar\u015f\u0131l\u0131 k\u00f6pr\u00fclerinden biridir. Takvimler 1442 y\u0131l\u0131n\u0131, yani Sultan II. Murad d\u00f6nemini g\u00f6sterdi\u011finde, Irgand\u0131 Ali o\u011flu varl\u0131kl\u0131 bir t\u00fcccar olan Hoca Muslihiddin taraf\u0131ndan yapt\u0131r\u0131lm\u0131\u015ft\u0131r.<\/p>\n

“Irgand\u0131” kelimesi Osmanl\u0131ca “salland\u0131, \u0131rgaland\u0131, yerinden oynad\u0131” anlamlar\u0131na gelir. K\u00f6pr\u00fcn\u00fcn ad\u0131yla ilgili iki ana rivayet vard\u0131r. Tarih\u00e7iler der ki; k\u00f6pr\u00fcy\u00fc yapt\u0131ran Hoca Muslihiddin\u2019in babas\u0131, “Irgand” denilen bir yerli oldu\u011fu i\u00e7in “Ali el-Irgand\u00ee” diye an\u0131l\u0131rd\u0131. Ancak halk\u0131n o \u00e7ok sevdi\u011fi, nesilden nesile anlat\u0131lan efsane bamba\u015fkad\u0131r.<\/p>\n

Efsaneye g\u00f6re, Orhan Gazi Bursa\u2019y\u0131 fethetti\u011fi g\u00fcnlerde, bir Allah dostu sava\u015f\u00e7\u0131 (m\u00fccahid), bug\u00fcn k\u00f6pr\u00fcn\u00fcn bulundu\u011fu mevkiden ge\u00e7erken gaipten bir ses i\u015fitir. Yer alt\u0131ndan bir ses ona \u015f\u00f6yle seslenmektedir: “\u00c7\u0131kay\u0131m m\u0131? Varay\u0131m m\u0131?”. Sava\u015f\u00e7\u0131 hayretler i\u00e7inde durumu Orhan Gazi\u2019ye anlat\u0131r. Gazi de “\u00c7\u0131k bakal\u0131m, ne yapabilirsin!” diye buyurunca, sava\u015f\u00e7\u0131 nida gelen yere elindeki sat\u0131r\u0131 sert\u00e7e vurur.<\/p>\n

\u0130\u015fte o an olanlar olur! Yer \u00f6yle bir sars\u0131l\u0131r, \u00f6yle bir “\u0131rgalan\u0131r” ki sanki koca d\u00fcnya yerinden oynam\u0131\u015ft\u0131r. Bu m\u00fcthi\u015f sars\u0131nt\u0131dan dolay\u0131 halk buraya “Irgand\u0131” demeye ba\u015flar.<\/p>\n

Sars\u0131nt\u0131n\u0131n ard\u0131ndan vurulan o yerden, \u015felaleler gibi g\u00fcrleyerek devasa bir hazine f\u0131\u015fk\u0131r\u0131r. Derenin i\u00e7i p\u0131r\u0131l p\u0131r\u0131l, \u00fczerlerinde “K\u0131dafe” (veya Kaydafa) m\u00fchr\u00fc olan alt\u0131n sikkelerle dolup ta\u015fm\u0131\u015ft\u0131r.<\/p>\n

Sava\u015f\u00e7\u0131 hemen ko\u015fup olan\u0131 biteni Orhan Gazi\u2019ye anlat\u0131r. Koca sultan, “Allah sana nasip etmi\u015f, git Bursa\u2019da hay\u0131r i\u015flerine sarf et” diye buyurur. Bunun \u00fczerine o y\u00fcce g\u00f6n\u00fcll\u00fc zat, alt\u0131nlar\u0131n vergisini devlet hazinesine verdikten sonra geri kalan\u0131yla Bursa\u2019ya bir “gerdanl\u0131k” takmaya karar verir ve i\u015fte bug\u00fcn \u00fczerinde y\u00fcr\u00fcd\u00fc\u011f\u00fcm\u00fcz bu muazzam \u00e7ar\u015f\u0131l\u0131 k\u00f6pr\u00fcy\u00fc in\u015fa ettirir.<\/p>\n

Irgand\u0131 K\u00f6pr\u00fcs\u00fc o kadar e\u015fsiz bir yap\u0131 ki, as\u0131rlar boyunca hem Osmanl\u0131\u2019n\u0131n \u00f6nemli isimlerini hem de d\u00fcnyaca \u00fcnl\u00fc gezginleri ve sanat\u00e7\u0131lar\u0131 kendine hayran b\u0131rakm\u0131\u015f. Buyurun, bu tarihi gerdanl\u0131ktan kimler ge\u00e7mi\u015f, kimler bu k\u00f6pr\u00fcye dair notlar d\u00fc\u015fm\u00fc\u015f beraber bakal\u0131m:<\/p>\n

Seyyahlar\u0131n \u015eah\u0131: Evliya \u00c7elebi<\/strong> Tabii ki listenin ba\u015f\u0131nda, 1640 y\u0131l\u0131nda Bursa\u2019y\u0131 ziyaret eden me\u015fhur seyyah\u0131m\u0131z Evliya \u00c7elebi<\/strong> geliyor. K\u00f6pr\u00fcn\u00fcn ihti\u015fam\u0131ndan \u00f6yle etkilenmi\u015f ki, \u00fczerinde sa\u011fl\u0131 sollu 200 kadar halla\u00e7 d\u00fckkan\u0131 oldu\u011funu yazm\u0131\u015f (biraz m\u00fcbala\u011fa etmi\u015f olsa da k\u00f6pr\u00fcn\u00fcn o d\u00f6nemki canl\u0131l\u0131\u011f\u0131n\u0131 bize \u00e7ok g\u00fczel anlat\u0131r). Hatta k\u00f6pr\u00fcn\u00fcn iki ucundaki kale kap\u0131s\u0131 gibi demir kap\u0131lardan ve i\u00e7indeki misafirhanelerden bahsederek buray\u0131 “az\u00eem cisirlerden” (b\u00fcy\u00fck k\u00f6pr\u00fclerden) biri olarak niteler.<\/p>\n

Avrupal\u0131 Gezginler ve Sanat\u00e7\u0131lar<\/strong> 19. y\u00fczy\u0131lda k\u00f6pr\u00fc, Bat\u0131l\u0131 seyyahlar\u0131n ve ressamlar\u0131n da g\u00f6zbebe\u011fi olmu\u015f.<\/p>\n

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  • Julia Pardoe:<\/strong> 1836 y\u0131l\u0131nda Bursa\u2019ya gelen \u00fcnl\u00fc \u0130ngiliz yazar, k\u00f6pr\u00fcn\u00fcn bir grav\u00fcr\u00fcn\u00fc yay\u0131mlam\u0131\u015f ve yap\u0131y\u0131 o kadar eski bulmu\u015f ki onu bir Roma eseri sanarak tan\u0131tm\u0131\u015f.<\/li>\n
  • Charles Texier:<\/strong> \u00dcnl\u00fc Frans\u0131z arkeolog ve mimar, 19. y\u00fczy\u0131l\u0131n ilk yar\u0131s\u0131nda k\u00f6pr\u00fcn\u00fcn o me\u015fhur grav\u00fcrlerini \u00e7izerek bu e\u015fsiz yap\u0131y\u0131 Avrupa\u2019ya tan\u0131tan isimlerden biri olmu\u015f.<\/li>\n
  • Reinhold Lubenau:<\/strong> 16. y\u00fczy\u0131l\u0131n sonunda Bursa\u2019ya gelen Alman gezgin, Irgand\u0131\u2019n\u0131n tek kemeri \u00fczerindeki d\u00fckkanlar\u0131n dizili\u015fine \u015fahitlik eden ilk yabanc\u0131lardan biri.<\/li>\n<\/ul>\n

    Edebiyat\u0131n Romantik \u0130smi: Pierre Loti<\/strong>; K\u00f6pr\u00fcn\u00fcn hemen ba\u015f\u0131nda bulunan ve eski kartpostallarda dam\u0131nda Frans\u0131z bayra\u011f\u0131yla g\u00f6r\u00fclen Frans\u0131z Konsoloslu\u011fu binas\u0131, me\u015fhur Frans\u0131z yazar Pierre Loti<\/strong> taraf\u0131ndan ziyaret edilmi\u015f. Loti\u2019nin o romantik ruhuyla bu k\u00f6pr\u00fcn\u00fcn manzaras\u0131n\u0131 seyretmi\u015f.<\/p>\n

    Devlet Adamlar\u0131 ve Foto\u011fraf\u00e7\u0131lar<\/strong><\/p>\n

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    • Ahmed Cevdet Pa\u015fa:<\/strong> B\u00fcy\u00fck devlet adam\u0131 ve tarih\u00e7i, 1855 Bursa depreminden sonra bizzat buradaki hasar\u0131 kayda ge\u00e7irmi\u015f, k\u00f6pr\u00fcn\u00fcn o d\u00f6nemki durumuna dair \u00e7ok k\u0131ymetli notlar b\u0131rakm\u0131\u015f.<\/li>\n
    • Auguste L\u00e9on:<\/strong> 1913 y\u0131l\u0131nda, me\u015fhur “D\u00fcnya Ar\u015fivi” projesi i\u00e7in k\u00f6pr\u00fcn\u00fcn ilk renkli foto\u011fraflar\u0131n\u0131 \u00e7eken ki\u015fidir; yani bug\u00fcn o eski d\u00fckkanlar\u0131 kanl\u0131 canl\u0131 g\u00f6rebiliyorsak onun viz\u00f6r\u00fcne bor\u00e7luyuz.<\/li>\n<\/ul>\n

      K\u0131sacas\u0131 dostlar, bug\u00fcn sizinle y\u00fcr\u00fcd\u00fc\u011f\u00fcm\u00fcz bu ta\u015flar \u00fczerinde; Evliya \u00c7elebi\u2019nin hayranl\u0131\u011f\u0131, Pierre Loti\u2019nin h\u00fczn\u00fc ve Julia Pardoe\u2019nun \u015fa\u015fk\u0131nl\u0131\u011f\u0131 sakl\u0131.<\/p>\n

      Bu zarif k\u00f6pr\u00fc sadece ta\u015flardan de\u011fil, \u015fairlerin ruhundan s\u00fcz\u00fclen kelimelerden de \u00f6r\u00fclm\u00fc\u015ft\u00fcr. Tarihin tozlu sayfalar\u0131na, \u00f6zellikle H\u00fcseyin Ayvansaray\u00ee<\/strong>‘nin Mecmua-i Tev\u00e2rih adl\u0131 eserine bakt\u0131\u011f\u0131m\u0131zda, k\u00f6pr\u00fcn\u00fcn banisi ve in\u015fa tarihi \u00fczerine yaz\u0131lm\u0131\u015f \u00e7ok k\u0131ymetli manzumelerle (\u015fiirlerle) kar\u015f\u0131la\u015f\u0131r\u0131z.<\/p>\n

      Bu \u015fiirlerde k\u00f6pr\u00fcn\u00fcn sars\u0131lmazl\u0131\u011f\u0131 ve heybeti \u015fu dizelerle \u00f6yle g\u00fczel anlat\u0131l\u0131r ki, adeta k\u00f6pr\u00fcn\u00fcn ismindeki o “\u0131rgalanma” (sars\u0131lma) efsanesine nazire yap\u0131l\u0131r:<\/p>\n

      “Yer direndi cihan \u0131rgand\u0131 bu \u0131rganmad\u0131 \/ Bu bina-\u0131 \u00e2liye hi\u00e7 irmez zev\u00e2l”.<\/p><\/blockquote>\n

      \u015eair burada, d\u00fcnya sars\u0131lsa da bu y\u00fcce yap\u0131n\u0131n asla yok olmayaca\u011f\u0131n\u0131 vurgulayarak onu \u00f6l\u00fcms\u00fczle\u015ftirmi\u015ftir.<\/p>\n

      Sadece eski \u015fairler de\u011fil, modern edebiyat\u0131m\u0131z\u0131n b\u00fcy\u00fck isimleri de bu k\u00f6pr\u00fcn\u00fcn b\u00fcy\u00fcs\u00fcne kap\u0131lm\u0131\u015ft\u0131r. Bursa denince akla ilk gelen isimlerden biri olan Ahmet Hamdi Tanp\u0131nar<\/strong>, bu b\u00f6lgenin o me\u015fhur r\u00fcya gibi atmosferini “Bursa\u2019da Zaman” \u015fiirinin ruhuyla \u00f6zde\u015fle\u015ftirmi\u015f, k\u00f6pr\u00fc ve \u00e7evresini adeta bir h\u00fczn\u00fcn ve sanat\u0131n bulu\u015fma noktas\u0131 olarak g\u00f6rm\u00fc\u015ft\u00fcr. Ayr\u0131ca \u00fcnl\u00fc yazar\u0131m\u0131z Ahmed Ha\u015fim<\/strong>, 1928’de yay\u0131mlanan Gureb\u00e2h\u00e2ne-i L\u00e2kl\u00e2kan adl\u0131 o me\u015fhur eserinde, k\u00f6pr\u00fcn\u00fcn hemen ba\u015f\u0131nda bulunan ve d\u00f6nemin Frans\u0131z Konsoloslu\u011fu olan o me\u015fhur T\u00fcrk evinden bahsederek buray\u0131 edebiyat tarihimize kaz\u0131m\u0131\u015ft\u0131r.<\/p>\n

      Bug\u00fcn bile k\u00f6pr\u00fcn\u00fcn i\u00e7inde y\u00fcr\u00fcrken kula\u011f\u0131n\u0131za \u00e7al\u0131nan ney sesleri, buran\u0131n sadece mimari bir yap\u0131 de\u011fil, ya\u015fayan bir sanat eseri oldu\u011funu hat\u0131rlat\u0131r. Bursal\u0131lar ve k\u00f6pr\u00fc sanat\u00e7\u0131lar\u0131 i\u00e7in Irgand\u0131, Bursa\u2019n\u0131n o g\u00fczel y\u00fcz\u00fcne tak\u0131lm\u0131\u015f zarif bir “inci gerdanl\u0131k” gibidir; bu te\u015fbih bile ba\u015fl\u0131 ba\u015f\u0131na \u015fiirsel bir hayranl\u0131\u011f\u0131n ifadesidir.<\/p>\n

      O zaman\u0131n \u00fcnl\u00fc gezgini Evliya \u00c7elebi, 1640’larda buray\u0131 ziyaret etti\u011finde b\u00fcy\u00fclenmi\u015f, \u00fczerinde sa\u011fl\u0131 sollu 200 halla\u00e7 d\u00fckkan\u0131 oldu\u011funu yazm\u0131\u015f; ama biz sicil kay\u0131tlar\u0131ndan biliyoruz ki aslen kar\u015f\u0131l\u0131kl\u0131 16’\u015fardan toplam 32 d\u00fckkan varm\u0131\u015f. D\u00fc\u015f\u00fcnsenize, alt\u0131n\u0131zdan G\u00f6kdere ak\u0131yor, \u00fczerinizde ise ipeklerin, kuma\u015flar\u0131n sat\u0131ld\u0131\u011f\u0131 canl\u0131 bir \u00e7ar\u015f\u0131… Bu k\u00f6pr\u00fc; Floransa\u2019daki Ponte Vecchio, Venedik\u2019teki Rialto ve Bulgaristan\u2019daki Osma K\u00f6pr\u00fcs\u00fc ile birlikte d\u00fcnyadaki d\u00f6rt \u00e7ar\u015f\u0131l\u0131 k\u00f6pr\u00fc \u00f6rne\u011finden biridir.<\/p>\n

      Genelde Bat\u0131 mimarisi her \u015feyin \u00f6nc\u00fcs\u00fc san\u0131l\u0131r ama burada durum biraz farkl\u0131. Kay\u0131tlar bize g\u00f6steriyor ki Irgand\u0131 K\u00f6pr\u00fcs\u00fc 1442 y\u0131l\u0131nda in\u015fa edilmi\u015ftir. Oysa \u0130talya\u2019daki \u00e7ar\u015f\u0131l\u0131 k\u00f6pr\u00fc \u00f6rneklerinin \u00e7o\u011fu 16. ve 17. y\u00fczy\u0131l yap\u0131lar\u0131d\u0131r. Yani bizim k\u00f6pr\u00fcm\u00fcz, o me\u015fhur \u0130talyan esteti\u011finden daha eski bir “\u00e7ar\u015f\u0131l\u0131 k\u00f6pr\u00fc” gelene\u011fini temsil ediyor.<\/p>\n

      \u015e\u00f6yle bir bakt\u0131\u011f\u0131n\u0131zda hemen fark edeceksiniz; Irgand\u0131 K\u00f6pr\u00fcs\u00fc, G\u00f6kdere vadisinin iki yan\u0131ndaki kayal\u0131klara oturan tek ve y\u00fcksek bir sivri kemerden olu\u015fur.<\/p>\n

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      • Floransa\u2019daki Ponte Vecchio:<\/strong> Arno Nehri \u00fczerinde y\u00fckselen bu k\u00f6pr\u00fc, \u00fc\u00e7 kemerli bir yap\u0131ya sahiptir ve \u00fczerinde her biri farkl\u0131 renklerde evleri and\u0131ran d\u00fckkanlar bulunur.<\/li>\n
      • Venedik\u2019teki Rialto:<\/strong> O me\u015fhur B\u00fcy\u00fck Kanal\u2019\u0131n \u00fczerinde geni\u015f bir \u00fc\u00e7gen olu\u015fturan tek kemerli bir yap\u0131d\u0131r ve daha \u00e7ok turistik galerilerle bezelidir.<\/li>\n<\/ul>\n

        Bizim Irgand\u0131\u2019m\u0131z\u0131n bir di\u011fer \u00fcnik \u00f6zelli\u011fi ise ayaklar\u0131n\u0131n i\u00e7idir efendim. K\u00f6pr\u00fc ayaklar\u0131n\u0131n i\u00e7inde “h\u00fccre” dedi\u011fimiz tonozlu mekanlar, yani depolar ve hatta ah\u0131rlar bulunur; bu, k\u00f6pr\u00fcn\u00fcn sadece bir ge\u00e7it de\u011fil, tam te\u015fekk\u00fcll\u00fc bir ticaret merkezi olarak tasarland\u0131\u011f\u0131n\u0131 g\u00f6sterir.<\/p>\n

        \u0130talya\u2019daki dostlar\u0131m\u0131z biraz daha “l\u00fcks” odakl\u0131d\u0131r. Ponte Vecchio bug\u00fcn d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan gelen ziyaret\u00e7ilerin u\u011frak noktas\u0131 olan l\u00fcks ma\u011fazalarla doludur. Rialto ise devasa turistik bir cazibe merkezidir.<\/p>\n

        Ancak bizim Irgand\u0131 K\u00f6pr\u00fcs\u00fc, Osmanl\u0131\u2019n\u0131n o samimi “arasta” ruhunu ta\u015f\u0131r. Zaman\u0131nda ipek kuma\u015f dokuyan loncan\u0131n y\u00f6netim merkezi oldu\u011fu s\u00f6ylenir; yani buras\u0131 Bursa ipe\u011finin kalbinin att\u0131\u011f\u0131 yerdi. Bug\u00fcn ise i\u00e7ine girdi\u011finizde o g\u00f6steri\u015ften uzak, geleneksel el sanatlar\u0131n\u0131n, ebrucular\u0131n ve ney seslerinin oldu\u011fu daha “etnik” ve huzurlu bir hava sizi kar\u015f\u0131lar. Bulgaristan\u2019daki ah\u015fap d\u00fckkanl\u0131 Osma K\u00f6pr\u00fcs\u00fc ile bu y\u00f6nden benzerlik g\u00f6sterse de \u0130talyan benzerlerinden bu samimi dokusuyla ayr\u0131l\u0131r.<\/p>\n

        K\u0131sacas\u0131, \u0130talya\u2019dakiler ihti\u015fam ve l\u00fcks\u00fcn k\u00f6pr\u00fcs\u00fcyse, Irgand\u0131 kadim bir zanaat\u0131n, tarihin ve Bursa\u2019n\u0131n o me\u015fhur ipek yolunun sessiz ama en eski \u015fahididir.<\/p>\n

        Irgand\u0131’n\u0131n kaderi hep ne\u015feli olmam\u0131\u015f maalesef. 18. y\u00fczy\u0131lda bir sel bask\u0131n\u0131yla k\u0131smen y\u0131k\u0131lm\u0131\u015f, o me\u015fhur 1855 Bursa depreminde ise b\u00fcy\u00fck hasar g\u00f6rm\u00fc\u015f. 19. y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131nda \u00e7ekilen foto\u011fraflarda, o eski g\u00f6rkemli tonozlu d\u00fckkanlar\u0131n yerine evlere benzeyen ah\u015fap yap\u0131lar g\u00f6r\u00fcyoruz. Ama en b\u00fcy\u00fck ac\u0131y\u0131 Kurtulu\u015f Sava\u015f\u0131’nda ya\u015fam\u0131\u015f; 1922’de i\u015fgal kuvvetleri Bursa’dan \u00e7ekilirken bu g\u00fczelim eseri dinamitlerle patlat\u0131p y\u0131km\u0131\u015flar.<\/p>\n

        Uzun y\u0131llar d\u00fckkans\u0131z, sadece betonarme bir ge\u00e7it olarak kalan k\u00f6pr\u00fc, 1988 y\u0131l\u0131nda ba\u015flayan giri\u015fimler ve 2004 y\u0131l\u0131nda tamamlanan b\u00fcy\u00fck bir restorasyonla bug\u00fcnk\u00fc sar\u0131 boyal\u0131, sevimli d\u00fckkanl\u0131 haline kavu\u015ftu. Bug\u00fcn i\u00e7ine girdi\u011finizde; hattatlar\u0131n, ebru sanat\u00e7\u0131lar\u0131n\u0131n, ney \u00fcfleyen ustalar\u0131n ve el eme\u011fi g\u00f6z nuru d\u00f6ken zanaatkarlar\u0131n o huzurlu d\u00fcnyas\u0131 kar\u015f\u0131lar sizi.<\/p>\n

        Bursa\u2019ya gelip de bu tarihi \u00e7ar\u015f\u0131n\u0131n havas\u0131n\u0131 teneff\u00fcs etmeden, o masals\u0131 atmosferde bir kahve i\u00e7meden d\u00f6nmek olmaz efendim. \u015eimdi dilerseniz d\u00fckkanlar\u0131n aras\u0131na kar\u0131\u015f\u0131p bu ya\u015fayan tarihin tad\u0131n\u0131 \u00e7\u0131karal\u0131m!<\/p>\n

         <\/p>","protected":false},"excerpt":{"rendered":"

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        Ho\u015f geldiniz k\u0131ymetli misafirler! Bug\u00fcn Bursa’n\u0131n o me\u015fhur, hani \u00fczerinden ge\u00e7erken kendinizi bir masal\u0131n i\u00e7indeymi\u015f gibi hissetti\u011finiz, o “inci gerdanl\u0131\u011f\u0131”<\/p>","protected":false},"author":1,"featured_media":2154,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"colormag_page_container_layout":"default_layout","colormag_page_sidebar_layout":"default_layout","_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"_lmt_disableupdate":"no","_lmt_disable":"no","footnotes":""},"categories":[198,1,4,199],"tags":[200],"class_list":["post-2153","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bursa","category-gezi","category-turkiye","category-yildirim","tag-carsili-kopru"],"a3_pvc":{"activated":true,"total_views":31,"today_views":3},"yoast_head":"\nIrgand\u0131 K\u00f6pr\u00fcs\u00fc - 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