{"id":1285,"date":"2025-12-17T14:28:17","date_gmt":"2025-12-17T11:28:17","guid":{"rendered":"https:\/\/www.ozgurgulun.com\/?p=1285"},"modified":"2026-02-13T15:20:21","modified_gmt":"2026-02-13T12:20:21","slug":"yerebatan-sarnici","status":"publish","type":"post","link":"https:\/\/www.ozgurgulun.com\/en\/yerebatan-sarnici\/","title":{"rendered":"Yerebatan Sarn\u0131c\u0131"},"content":{"rendered":"
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Ho\u015f geldiniz k\u0131ymetli misafirler, bug\u00fcn sizi \u015fehrin g\u00fcr\u00fclt\u00fcs\u00fcnden uzakla\u015ft\u0131r\u0131p yerin 52 basamak alt\u0131na, bin be\u015f y\u00fcz y\u0131ll\u0131k bir sessizli\u011fin ve ihti\u015fam\u0131n i\u00e7ine davet ediyorum.<\/p>\n

Buras\u0131, Bizans \u0130mparatoru I. Justinianus taraf\u0131ndan 6. y\u00fczy\u0131lda (527-565), o d\u00f6nem idare merkezi olan B\u00fcy\u00fck Saray ve \u00e7evresindeki binalara su sa\u011flamak amac\u0131yla kentin an\u0131tsal merkezinde in\u015fa edilmi\u015ftir. Halk aras\u0131nda, suyun i\u00e7inden y\u00fckselen ve say\u0131s\u0131z gibi g\u00f6r\u00fcnen mermer s\u00fctunlar sebebiyle “Yerebatan Saray\u0131” olarak isimlendirilse de tarihteki as\u0131l ad\u0131 Bazilika Sarn\u0131c\u0131’d\u0131r. Yakla\u015f\u0131k 10 bin metrekarelik devasa bir alan\u0131 kaplayan bu yap\u0131, tam 80 bin ton su depolama kapasitesiyle \u015fehrin en b\u00fcy\u00fck kapal\u0131 sarn\u0131c\u0131 olma \u00f6zelli\u011fini ta\u015f\u0131r.<\/p>\n

Sarn\u0131c\u0131n i\u00e7ine ad\u0131m att\u0131\u011f\u0131m\u0131zda bizi, her biri 9 metre y\u00fcksekli\u011finde tam 336 g\u00f6rkemli s\u00fctun selamlar. Bu s\u00fctunlar\u0131n b\u00fcy\u00fck bir k\u0131sm\u0131 antik yap\u0131lardan getirilmi\u015f “dev\u015firme” malzemelerdir; bu y\u00fczden kimi Korint \u00fcslubunda bezemeliyken kimi ise sadeli\u011fiyle dikkat \u00e7eker. \u00d6zellikle “G\u00f6zya\u015f\u0131 S\u00fctunu” olarak bilinen, \u00fczeri tavus ku\u015fu g\u00f6z\u00fc ve yaprak oymalar\u0131yla bezeli s\u00fctunun, in\u015faatta \u00e7al\u0131\u015fan ve hayat\u0131n\u0131 kaybeden 7 bin k\u00f6lenin an\u0131s\u0131na dikildi\u011fi rivayet edilir. Sarn\u0131c\u0131n 4.80 metre kal\u0131nl\u0131\u011f\u0131ndaki tu\u011fla duvarlar\u0131 ve zemini, su s\u0131zd\u0131rmazl\u0131\u011f\u0131n\u0131 sa\u011flamak amac\u0131yla \u00f6zel bir “Horasan” harc\u0131yla s\u0131vanm\u0131\u015ft\u0131r.<\/p>\n

Horasan harc\u0131, asl\u0131nda kire\u00e7ten yap\u0131lan ve i\u00e7eri\u011findeki \u00f6zel bile\u015fenler sayesinde yap\u0131y\u0131 adeta bir z\u0131rh gibi sararak su ge\u00e7irmez (impermeable) hale getiren mucizevi bir malzemedir.<\/p>\n

D\u00fc\u015f\u00fcn\u00fcn ki, o d\u00f6nemde ne bug\u00fcnk\u00fc modern betonlar ne de yal\u0131t\u0131m malzemeleri vard\u0131; ancak Romal\u0131 m\u00fchendislerin kulland\u0131\u011f\u0131 bu “Horasan lime” (Horasan kireci) bazl\u0131 har\u00e7, sarn\u0131c\u0131 binlerce y\u0131l boyunca koruyacak bir teknoloji sunuyordu. Bug\u00fcn sarn\u0131c\u0131n i\u00e7inde h\u00e2l\u00e2 su birikebiliyorsa ve biz bu mistik atmosferi soluyabiliyorsak, bunu o d\u00f6nemdeki ustal\u0131\u011fa ve bu g\u00fc\u00e7l\u00fc harc\u0131n s\u0131zd\u0131rmazl\u0131k yetene\u011fine bor\u00e7luyuz.<\/p>\n

K\u0131ymetli dostlar, sarn\u0131c\u0131n bu lo\u015f ve mistik havas\u0131nda yank\u0131lanan su damlalar\u0131n\u0131n sesine kulak verin; \u00e7\u00fcnk\u00fc o ses, y\u00fczlerce kilometre \u00f6teden, Trakya\u2019n\u0131n g\u00fcr balkanlar\u0131ndan ve Belgrad Ormanlar\u0131\u2019n\u0131n serinli\u011finden kopup gelen kadim bir hik\u00e2yeyi anlat\u0131yor. Bug\u00fcn sizlere, bu devasa su saray\u0131n\u0131 besleyen iki ana damardan, yani Hadrianus ve Valens su yollar\u0131ndan bahsedece\u011fim.<\/p>\n

Hik\u00e2yemiz, hen\u00fcz \u0130stanbul “Konstantinopolis” olmadan, bir Roma kasabas\u0131yken ba\u015fl\u0131yor. 2. y\u00fczy\u0131lda \u0130mparator Hadrianus, \u015fehrin su ihtiyac\u0131n\u0131 kar\u015f\u0131lamak i\u00e7in Belgrad Ormanlar\u0131\u2019ndan uzanan bir hat in\u015fa ettiriyor. Bu hat, y\u00fczy\u0131llar boyunca B\u00fcy\u00fck Saray\u2019\u0131, Zeuxippos Banyolar\u0131\u2019n\u0131 ve halk\u0131n kullan\u0131m\u0131na sunulan hamamlar\u0131 besleyen ana can damar\u0131 oluyor. Yaz\u0131l\u0131 kaynaklara bakt\u0131\u011f\u0131m\u0131zda, \u015fu an i\u00e7inde bulundu\u011fumuz Yerebatan Sarn\u0131c\u0131\u2019n\u0131n da asl\u0131nda bu Hadrianus \u0130sale Hatt\u0131\u2019ndan beslendi\u011fini g\u00f6r\u00fcyoruz. Yeni m\u00fchendislik ara\u015ft\u0131rmalar\u0131, bu hatt\u0131n \u015fehre san\u0131landan daha y\u00fcksek bir kotta ula\u015ft\u0131\u011f\u0131n\u0131 ve sarn\u0131c\u0131n g\u00fcneydo\u011fu ucundan i\u00e7eri akarak buray\u0131 doldurdu\u011funu g\u00f6steriyor.<\/p>\n

Ancak dostlar\u0131m, \u015fehir b\u00fcy\u00fcy\u00fcp Roma \u0130mparatorlu\u011fu\u2019nun ba\u015fkenti olunca, n\u00fcfus o kadar art\u0131yor ki mevcut su yetmemeye ba\u015fl\u0131yor. \u015eehri “susuzluktan k\u0131vranan s\u00fcsl\u00fc bir kad\u0131na” benzettikleri o d\u00f6nemde, \u0130mparator Valens kollar\u0131 s\u0131v\u0131yor. \u0130\u015fte o me\u015fhur Valens (Bozdo\u011fan) Su Yolu b\u00f6yle do\u011fuyor. 4. y\u00fczy\u0131lda tamamlanan bu devasa sistem, antik d\u00fcnyan\u0131n en kapsaml\u0131 hidrolik m\u00fchendislik projelerinden biri olarak kabul ediliyor.<\/p>\n

D\u00fc\u015f\u00fcn\u00fcn ki bu hat, Trakya\u2019n\u0131n derinliklerinden, Ergene ve Bink\u0131l\u0131\u00e7 gibi uzak kaynaklardan suyu topluyor. Yap\u0131lan son \u00f6l\u00e7\u00fcmler, bu kanallar\u0131n ve kemerlerin toplam uzunlu\u011funun 426 kilometreyi, hatta kimi tahminlere g\u00f6re 564 kilometreyi buldu\u011funu g\u00f6steriyor. \u015eehrin i\u00e7indeki o g\u00f6rkemli Bozdo\u011fan Kemeri, i\u015fte bu hatt\u0131n tepeler aras\u0131ndaki vadileri a\u015fmas\u0131n\u0131 sa\u011flayan sessiz bir devdir. Valens hatt\u0131, daha \u00e7ok \u015fehrin y\u00fcksek kesimlerindeki a\u00e7\u0131k hava sarn\u0131\u00e7lar\u0131n\u0131 beslerken, Hadrianus hatt\u0131 saray b\u00f6lgesine ve bizim bu gizemli “Yerebatan Saray\u0131”m\u0131za hayat vermeye devam etmi\u015ftir.<\/p>\n

Bu iki muazzam m\u00fchendislik harikas\u0131 sayesinde, kente varan su, bazen do\u011frudan kanallarla devlet kurumlar\u0131na ve hamamlara da\u011f\u0131t\u0131lm\u0131\u015f, bazen de ku\u015fatma ve kurakl\u0131k zamanlar\u0131 i\u00e7in burada g\u00f6rd\u00fc\u011f\u00fcn\u00fcz sarn\u0131\u00e7larda, yani adeta birer “yeralt\u0131 deryas\u0131nda” depolanm\u0131\u015ft\u0131r.<\/p>\n

\u015eimdi gelin, bu u\u00e7suz bucaks\u0131z yollardan s\u00fcz\u00fcl\u00fcp gelen suyun \u00fczerinde y\u00fckselen s\u00fctunlar\u0131m\u0131za do\u011fru y\u00fcr\u00fcy\u00fc\u015f\u00fcm\u00fcze devam edelim; s\u0131rlar hen\u00fcz bitmedi.<\/p>\n

\u0130stanbul 1453 y\u0131l\u0131nda fethedildikten sonra, sarn\u0131\u00e7 bir m\u00fcddet daha Topkap\u0131 Saray\u0131\u2019n\u0131n bah\u00e7elerini sulamak i\u00e7in kullan\u0131lm\u0131\u015ft\u0131r. Ancak Osmanl\u0131lar akan suyu tercih ettikleri i\u00e7in b\u00f6lgede konutla\u015fma artt\u0131k\u00e7a bu dev yap\u0131 adeta unutulmu\u015f, ta ki 1544-1555 y\u0131llar\u0131 aras\u0131nda \u0130stanbul\u2019da ya\u015fayan Petrus Gyllius buray\u0131 yeniden fark edene kadar. Gyllius, mahalle sakinlerinin evlerinin taban\u0131ndaki deliklerden kova sark\u0131t\u0131p su \u00e7ektiklerini, hatta sarn\u0131\u00e7 i\u00e7inde sandal gezdirip bal\u0131k avlad\u0131klar\u0131n\u0131 anlatarak bu gizemli d\u00fcnyay\u0131 Bat\u0131\u2019ya tan\u0131tm\u0131\u015ft\u0131r.<\/p>\n

Osmanl\u0131 d\u00f6neminde Sultan III. Ahmet ve II. Abd\u00fclhamid gibi padi\u015fahlar taraf\u0131ndan titizlikle onar\u0131lan sarn\u0131\u00e7, modern d\u00f6nemde de pek \u00e7ok restorasyon g\u00f6rm\u00fc\u015ft\u00fcr. 1985-1987 y\u0131llar\u0131 aras\u0131ndaki b\u00fcy\u00fck temizlik \u00e7al\u0131\u015fmalar\u0131 s\u0131ras\u0131nda, sarn\u0131c\u0131n kuzeybat\u0131 ucunda bug\u00fcn en b\u00fcy\u00fck ilgi oda\u011f\u0131 olan Medusa ba\u015flar\u0131 ke\u015ffedilmi\u015ftir. Roma heykel sanat\u0131n\u0131n e\u015fsiz \u00f6rnekleri olan bu devasa ba\u015flardan birinin ters, di\u011ferinin ise yan durmas\u0131, bakanlar\u0131 ta\u015fa \u00e7evirdi\u011fine inan\u0131lan bu mitolojik canavar\u0131n etkisini k\u0131rmak i\u00e7in yap\u0131lm\u0131\u015f bir t\u0131ls\u0131m olarak kabul edilir.<\/p>\n

Sevgili dostlar, sarn\u0131\u00e7 en son 2022 y\u0131l\u0131nda tamamlanan, tarihinin en kapsaml\u0131 restorasyonuyla gelece\u011fe haz\u0131rlanm\u0131\u015ft\u0131r. \u0130BB Miras ekiplerinin y\u00fcr\u00fctt\u00fc\u011f\u00fc bu titiz \u00e7al\u0131\u015fma ile yap\u0131n\u0131n 1500 y\u0131ll\u0131k orijinal tu\u011fla d\u00f6\u015femeleri \u00fczerindeki beton tabaka temizlenerek g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131lm\u0131\u015f, yap\u0131 depreme kar\u015f\u0131 paslanmaz \u00e7elik gergilerle g\u00fc\u00e7lendirilmi\u015ftir. Bug\u00fcn Yerebatan Sarn\u0131c\u0131, sadece tarihi bir miras de\u011fil; ayn\u0131 zamanda \u00e7a\u011fda\u015f sanat sergilerine, konserlere ve “Night Shift” gibi mistik etkinliklere ev sahipli\u011fi yapan ya\u015fayan bir k\u00fclt\u00fcr merkezidir.<\/p>\n

Haz\u0131rsan\u0131z, suyun yans\u0131malar\u0131 aras\u0131nda tarihin bu derin haf\u0131zas\u0131na do\u011fru y\u00fcr\u00fcy\u00fc\u015f\u00fcm\u00fcze devam edelim.<\/p>\n

\u015eimdi size, sarn\u0131c\u0131n o lo\u015f \u0131\u015f\u0131klar\u0131 alt\u0131nda yank\u0131lanan bir modern zaman efsanesinden, Dan Brown\u2019\u0131n me\u015fhur roman\u0131 Cehennem<\/em>\u2019den (Inferno) bahsetmek istiyorum.<\/p>\n

D\u00fcnya \u00e7ap\u0131nda sat\u0131\u015f rekorlar\u0131 k\u0131ran bu romanda Yerebatan Sarn\u0131c\u0131, hik\u00e2yenin d\u00fc\u011f\u00fcm\u00fcn\u00fcn \u00e7\u00f6z\u00fcld\u00fc\u011f\u00fc ve heyecan\u0131n doru\u011fa ula\u015ft\u0131\u011f\u0131 o en kritik mek\u00e2n olarak tasvir edilir. Roman\u0131n 369. sayfas\u0131ndan itibaren ba\u015flayan \u0130stanbul maceras\u0131nda, ba\u015fkahraman Robert Langdon arad\u0131\u011f\u0131 t\u00fcm hayati sorular\u0131n yan\u0131tlar\u0131n\u0131 nihayet bu devasa yeralt\u0131 su mahzeninde bulur. Brown, sarn\u0131c\u0131 sadece tarihi bir yap\u0131 olarak de\u011fil, uluslararas\u0131 gizli bir te\u015fkilat\u0131n d\u00fcnya n\u00fcfusunu tehdit eden biyolojik bir ter\u00f6r eylemini ba\u015flatmak i\u00e7in se\u00e7ti\u011fi en stratejik nokta olarak kurgular.<\/p>\n

Yazar\u0131n kaleminde \u0130stanbul ve sarn\u0131\u00e7, “Do\u011fu ile Bat\u0131\u2019n\u0131n kar\u015f\u0131la\u015ft\u0131\u011f\u0131 yer” ve “d\u00fcnyadaki b\u00fct\u00fcn yollar\u0131n tek kesi\u015fme noktas\u0131” olarak betimlenir; bu y\u00fczden de k\u00fcresel bir felaketin merkezi olarak se\u00e7ilmi\u015ftir. Roman\u0131n atmosferinde sarn\u0131\u00e7, \u0130talyan \u015fair Dante Alighieri\u2019nin \u0130lahi Komedya\u2019s\u0131ndaki o \u00fcrpertici cehennem imgesiyle birle\u015fir; suyun i\u00e7inden y\u00fckselen s\u00fctunlar ve lo\u015f \u0131\u015f\u0131klar, okuyucuya adeta Dante\u2019nin cehennemini an\u0131msatan mistik ve gerilim dolu bir g\u00f6rsel \u015f\u00f6len sunar.<\/p>\n

Hatta sarn\u0131c\u0131n bu pop\u00fclerli\u011fi o kadar b\u00fcy\u00fckt\u00fcr ki, Dan Brown roman\u0131ndaki gizemi kurgularken bu muazzam yap\u0131n\u0131n sundu\u011fu mistisizmden ve tarihsel derinlikten ilham alm\u0131\u015ft\u0131r. Bug\u00fcn sarn\u0131c\u0131n 1500 y\u0131ll\u0131k s\u00fctunlar\u0131 aras\u0131nda y\u00fcr\u00fcrken, sadece Roma ve Osmanl\u0131\u2019n\u0131n izlerini de\u011fil, Langdon\u2019\u0131n ad\u0131mlar\u0131n\u0131 ve o b\u00fcy\u00fck \u015fifrenin yank\u0131lar\u0131n\u0131 da hissedebilirsiniz.<\/p>\n

\u015eimdi gelin, bu edebi efsanenin izinde, sarn\u0131c\u0131n karanl\u0131k k\u00f6\u015felerinde sakl\u0131 ger\u00e7ek \u015fifreleri, yani Medusa\u2019lar\u0131 ke\u015ffetmek i\u00e7in biraz daha derine inelim.<\/p>\n

K\u0131ymetli dostlar, sarn\u0131c\u0131n en derin ve en lo\u015f k\u00f6\u015fesine, yani sarn\u0131c\u0131n kuzeybat\u0131 ucuna do\u011fru ilerledi\u011fimizde, suyun i\u00e7inden y\u00fckselen iki devasa ve gizemli simayla kar\u015f\u0131la\u015f\u0131r\u0131z. Bunlar, Roma heykel sanat\u0131n\u0131n e\u015fsiz \u00f6rnekleri kabul edilen o me\u015fhur Medusa ba\u015flar\u0131d\u0131r.<\/p>\n

Dikkatle bakarsan\u0131z, bu ba\u015flardan birinin tam ters (ba\u015f a\u015fa\u011f\u0131), di\u011ferinin ise yan (yatay) olarak yerle\u015ftirildi\u011fini g\u00f6receksiniz. 1500 y\u0131ld\u0131r bu sular\u0131n koruyucusu gibi duran bu ba\u015flar\u0131n neden b\u00f6yle al\u0131\u015f\u0131lm\u0131\u015f\u0131n d\u0131\u015f\u0131nda durdu\u011funa dair pek \u00e7ok rivayet ve teori mevcut:<\/p>\n

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  • Bak\u0131\u015f\u0131n T\u0131ls\u0131m\u0131n\u0131 K\u0131rmak:<\/strong> En yayg\u0131n ve mistik inan\u0131\u015fa g\u00f6re, Medusa kendisine bakanlar\u0131 ta\u015fa \u00e7evirme g\u00fcc\u00fcne sahip bir canavard\u0131r. Bu y\u00fczden, ba\u015flar\u0131n ters ve yan yerle\u015ftirilmesinin, onun bu korkun\u00e7 yetene\u011fini ve t\u0131ls\u0131ml\u0131 bak\u0131\u015flar\u0131n\u0131 etkisiz hale getirmek i\u00e7in yap\u0131ld\u0131\u011f\u0131na inan\u0131l\u0131r. Yani bu bir nevi antik bir “\u00f6nlem”dir.<\/li>\n
  • Hristiyanl\u0131\u011f\u0131n Zaferi:<\/strong> Bir ba\u015fka g\u00f6r\u00fc\u015fe g\u00f6re, bu antik Yunan kal\u0131nt\u0131lar\u0131 pagan inan\u0131\u015f\u0131n\u0131 temsil ediyordu. Hristiyanl\u0131k d\u00f6neminde in\u015fa edilen bu sarn\u0131ca onlar\u0131 ters yerle\u015ftirmek, yeni inanc\u0131n eskisini alt etti\u011fini g\u00f6steren sembolik bir meydan okuma olabilir.<\/li>\n
  • Suyun Muhaf\u0131z\u0131:<\/strong> Baz\u0131 teorisyenler ise bu ba\u015flar\u0131n sarn\u0131ca \u00f6zel olarak, suyu korumas\u0131, temiz ve g\u00fcvenli tutmas\u0131 i\u00e7in bir nevi kutsal koruyucu olarak yerle\u015ftirildi\u011fini savunur.<\/li>\n
  • M\u00fchendislik ve Pratiklik:<\/strong> Daha rasyonel bir bak\u0131\u015f a\u00e7\u0131s\u0131 ise bu ba\u015flar\u0131n asl\u0131nda ba\u015fka antik yap\u0131lardan getirilmi\u015f “dev\u015firme” malzemeler oldu\u011funu s\u00f6yler. Sarn\u0131c\u0131 in\u015fa eden ustalar\u0131n, devasa s\u00fctunlar\u0131 destekleyecek uygun boyutta bloklara ihtiya\u00e7 duyduklar\u0131 i\u00e7in bu heykelleri kaide olarak kulland\u0131klar\u0131, duru\u015f bi\u00e7imlerinin ise sadece s\u00fctun boyunu ayarlamakla ilgili pratik bir tercih oldu\u011fu da ihtimaller aras\u0131ndad\u0131r.<\/li>\n
  • S\u0131r ve Gizem Katmak:<\/strong> Kimilerine g\u00f6re ise bu yerle\u015fim bi\u00e7imi tamamen sarn\u0131c\u0131n atmosferine \u00fcrk\u00fct\u00fcc\u00fc bir hava ve derin bir gizem katmak amac\u0131yla bilin\u00e7li olarak se\u00e7ilmi\u015ftir.<\/li>\n<\/ul>\n

    Sevgili konuklar, bu ba\u015flar belki de sadece unutulmu\u015f bir Roma binas\u0131ndan, belki de \u00c7emberlita\u015f\u2019tan buraya ta\u015f\u0131narak yeniden i\u015flevlendirilmi\u015f sessiz tan\u0131klard\u0131r. Ger\u00e7ek sebep hangisi olursa olsun, Medusa’n\u0131n bu al\u0131\u015f\u0131lmad\u0131k duru\u015fu, sarn\u0131c\u0131n ruhuna o benzersiz ve mistik dokuyu katmaya devam ediyor.<\/p>\n

    \u015eimdi, bu ta\u015fa d\u00f6nm\u00fc\u015f bak\u0131\u015flar\u0131n aras\u0131ndan ge\u00e7ip suyun f\u0131s\u0131lt\u0131s\u0131n\u0131 dinlemeye devam edelim.<\/p>\n

    Hik\u00e2yemiz, 1453 fethinden k\u0131sa bir s\u00fcre sonra, 1456 y\u0131l\u0131nda Venedik’ten gelen bir heyetin Fatih Sultan Mehmet ile g\u00f6r\u00fc\u015fme talebiyle ba\u015fl\u0131yor. Venedikli delegeler, sarn\u0131c\u0131n derinliklerinde sakl\u0131 \u00e7ok \u00f6zel bir “hazine” oldu\u011funu ve bu hazinenin yerini sadece padi\u015fah\u0131n bilmesi gerekti\u011fini iddia ediyorlar. Ancak yap\u0131lan g\u00f6r\u00fc\u015fmede bu hazinenin alt\u0131n ya da m\u00fccevher de\u011fil, asl\u0131nda bir lahit ve onun i\u00e7indeki “\u00f6l\u00fc bir beden” oldu\u011fu anla\u015f\u0131l\u0131yor. Venedikliler, bu lahit ve i\u00e7indeki bedeni alabilmek kar\u015f\u0131l\u0131\u011f\u0131nda Sultan’a diledi\u011fi her \u015feyi vermeyi teklif etseler de Fatih Sultan Mehmet bu gizemli teklifi reddediyor.<\/p>\n

    Aradan y\u00fczy\u0131llar ge\u00e7iyor ve s\u0131rlar sarn\u0131c\u0131n karanl\u0131k sular\u0131na g\u00f6m\u00fcl\u00fcyor, ta ki Sultan II. Abd\u00fclhamid d\u00f6nemine kadar. Meseleye b\u00fcy\u00fck ilgi duyan Abd\u00fclhamid Han, sarn\u0131c\u0131n dehlizlerini (katakomplar\u0131n\u0131) ara\u015ft\u0131rmak \u00fczere \u00f6zel bir ekip g\u00f6revlendiriyor. Yap\u0131lan titiz \u00e7al\u0131\u015fmalar sonucunda, sarn\u0131c\u0131n derinliklerinde o efsanevi lahit nihayet g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131l\u0131yor. Ba\u015fta koruma amac\u0131yla kapa\u011f\u0131n\u0131n a\u00e7\u0131lmamas\u0131 kararla\u015ft\u0131r\u0131lsa da bir \u00e7ocu\u011fun merak\u0131na yenik d\u00fc\u015f\u00fcp lahiti a\u00e7t\u0131\u011f\u0131 rivayet ediliyor.<\/p>\n

    Lahitin i\u00e7inde g\u00f6r\u00fclen manzara ise tam anlam\u0131yla deh\u015fet vericidir; kapa\u011f\u0131n alt\u0131nda ba\u015f\u0131 insana benzeyen ancak v\u00fccudu bir y\u0131lan gibi k\u0131vr\u0131lan tuhaf bir yarat\u0131\u011f\u0131n mumyas\u0131 durmaktad\u0131r. Olay\u0131 g\u00f6ren \u00e7ocuk, g\u00f6rd\u00fc\u011f\u00fc bu mistik varl\u0131k kar\u015f\u0131s\u0131nda deh\u015fete kap\u0131larak “\u015eahmeran’\u0131 g\u00f6rd\u00fcm!” diye hayk\u0131r\u0131yor. Bu gizemli buluntu, sarn\u0131\u00e7tan \u00e7\u0131kar\u0131larak k\u0131sa bir s\u00fcreli\u011fine halka g\u00f6sterilmek \u00fczere Fatih Camii’nin avlusuna ta\u015f\u0131n\u0131yor.<\/p>\n

    Hatta o d\u00f6nemde bu yarat\u0131\u011f\u0131n foto\u011fraflar\u0131n\u0131n \u00e7ekilip gazetelere da\u011f\u0131t\u0131ld\u0131\u011f\u0131 s\u00f6ylense de ne hikmetse o g\u00fcne ait hi\u00e7bir gazete kayd\u0131na ula\u015f\u0131lamam\u0131\u015ft\u0131r. Rivayet odur ki, asl\u0131nda gizli bir tarikata \u00fcye olan Venedik heyeti, bu sars\u0131c\u0131 ger\u00e7e\u011fin \u00fczerini \u00f6rtmek i\u00e7in t\u00fcm izleri tarihin karanl\u0131\u011f\u0131na g\u00f6mm\u00fc\u015ft\u00fcr. Bug\u00fcn h\u00e2l\u00e2 sarn\u0131c\u0131n nemli duvarlar\u0131 aras\u0131nda, bu y\u0131lan ba\u015fl\u0131 yarat\u0131\u011f\u0131n ve kaybolan foto\u011fraflar\u0131n gizemi yank\u0131lanmaya devam ediyor.<\/p>\n

    [ays_quiz id=’20’]<\/p>\n